Watching Expelled in a Climate of Conflict
Frank Percival
Professor of Biology
Westmont College
Prompted by
a couple of conversations and a scathing review in our local newspaper, I
recently went to see Expelled: No Intelligence Allowed. Since reviewers have compared the film to those produced by
Michael Moore, I decided to view Mooreıs Fahrenheit 9/11 ahead of time to get a feel for the
Expelledıs
genre. Although the subjects and
the perspectives were very different, they shared a common structure, and in
both, the film-makerıs perspective was that of a disenfranchised minority
trying to speak to power. Both of
the films also took a combative, gunning-for-the-opponent approach that I think
limits their contribution to the societal conversation.
In thinking
about these two films, I have been remembering the last time I served on a
jury, a frustrating experience because the attorneys had complete control of
the information flow, and their job was to ³spin² the story to the benefit of
their clients. By the end of the
trial, I had concluded that the process was more about winning and losing than
about a collaborative effort to determine what actually happened. Fahrenheit
9/11 and Expelled seem to take that same approach,
and that means that they need to be viewed critically, however entertaining
they may be. For example, is there
really a simple, cause-effect relationship between being an evolutionary
biologist and losing your faith as Expelled seems to assert? Was the holocaust merely an application
of Darwinian theory? Because of
their combative approach, these films can energize viewers who already share
their convictions, but they are unlikely to convince their opponents.
Consequently, I think they serve mainly to reinforce cultural divisions.
I think Expelled did effectively highlight some of
the limits to intellectual tolerance in academic institutions, and that is a
helpful corrective. That there are
such limits would not be all that surprising if we did not hold up the value of
creative thinking as much as we do.
Who does not want to be the person who gets the new insight and goes on
to win the Nobel prize? But any
group is defined, at least to some degree, by the intellectual frameworks that
serve as their paradigms. At
Westmont where I teach, we are explicit about that when we ask faculty to
indicate their agreement with the collegeıs statement of faith each year as
they sign their contracts, but in secular institutions those defining
intellectual commitments are rarely articulated in a formal way.
I confess
that I also enjoyed seeing Richard Dawkins get caught in the contradiction over
whether some intelligent being could have designed life – it might be an
alien race, perhaps, but surely not God!
Dawkins is so sure of himself, and he gets so much media attention that
it is probably a service to establish that he is human like the rest of us, but
it did feel like a guilty pleasure.
I was struck by the extent to which both films treated the ³good guys²
with respect and deference while reducing the ³bad guys² to cartoon
villains. Admittedly, some of the
Darwinist protagonists in Expelled made that easy for Mr. Stein, but their abrasive approach
and notoriety cannot be completely unrelated to their being selected for the
film.
For a
number of reasons, the major concern I have about Expelled is its choice to make academic
freedom its central issue. First
of all, the disagreement between intelligent design proponents and evolutionary
biologists is never fleshed out in the film. We are introduced to several intelligent design theorists
who claim that Darwinian mechanisms are inadequate to explain evolutionary
descent, and we hear that when evolutionary biologists talk among themselves
with no creationists listening, they admit that the theory has problems. However, we are not introduced to the
nature of those problems, and we do not hear any evidence for or against the
intelligent design claims. Is a
theory really untenable if workers in the field are still trying to understand
it in depth? Does any challenge to
a prevailing theory warrant being taken seriously? For example, every so often you hear someone claim that the
holocaust never happened – most recently, it was President Ahmadinejad of
Iran. Would it be a violation of
academic freedom to deny tenure to an individual who taught that position in a
European History course? I want to
be careful here because my point is not about the relative merits of
intelligent design and Darwinian evolution. Rather, by choosing to frame the issue in terms of academic
freedom instead of examining the competing claims, Expelled reduces a complex intellectual
issue to a ³David and Goliath² story.
Second,
this celebration of the underdog is facilitated by Mr. Steinıs choice to make
personnel issues the heart of the story.
Getting an interview with a department chair or a human resources
representative who appears to be stonewalling is easy in these cases because
ethically, an institution does not get to talk about personnel issues in
public. Although it may be true
that the individuals were denied tenure or not rehired because of their
positions on intelligent design, we donıt know the back stories, and it is
equally imaginable that they involved issues other than those relevant to
academic freedom.
Finally, I
think that the focus on academic freedom in Expelled obscures the impact of political
conflict on the debate through the years.
Religious and scientific communities in this country have been fighting
over this issue for 80 years or more – often in the courts – and there is more than a little
animosity on both sides of the argument. Casting the issue in the simple terms
of academic freedom completely ignores the social dynamics of this controversy. In this regard, I thought it was
telling that the Polish academic Mr. Stein interviewed felt that there was
greater freedom to entertain alternative views of evolution in Poland than
there would be in the United States.
If that is actually the case, surely a contributing factor must be that
they have no history of political conflict around this issue, and that provides
them with a less emotionally charged context for dialogue.
One image
that appears repeatedly in Expelled is the Berlin wall.
Mr. Stein uses the wall as a metaphor for the control of scientific
discourse by an academic elite.
The image is a powerful one, and it works because the conflict over
origins is there for everyone to see. However, there are other walls that I
think capture the situation more accurately. One is the wall that Israel is constructing in an effort to
defend themselves from Palestinian terrorists, and the other is the wall we are
building along the Mexican border in an attempt to control illegal
immigration. Both walls are the
product of exasperation over unrelenting pressure from folks on the other side,
and both walls are controversial for what they symbolize. The science and science education
communities experience much the same exasperation from the on-going conflict
first with the creation science community and then with intelligent design
proponents. I agree with Expelled that a healthy academic community
depends on the free exchange of ideas, but if the film has any impact at all, I
can only see it leading to a reinforcement of the wall it seeks to criticize
and to further cultural polarization.